Browse > Home /

| Subcribe via RSS

Interview with a Photojournalist, Part 2

November 23rd, 2008 | 2 Comments | Posted in Of General Interest

Your friendly neighborhood photographer...A couple days ago, I mentioned that I had joined the National Press Photographers’ Association and have begun taking advantage of their mentor program by reaching out to some working photojournalists for insight, feedback, and advice.

The second photojournalist I’ve contacted is Jud McCrehin. Jud is currently a news photo editor for USAToday with approximately 16 years of experience in the industry. Prior to working at USAToday, Jud worked at The Army Times and covered training and conflict in Iraq, Afghanistan, and Bosnia. Even though the NPPA offers a separate portfolio review service for members, Jud was nice enough to take a look at my work and offer some great feedback.

Our exchange was very similar in many ways to the last one but I particularly appreciated the honest feedback on my work thus far and the tip that Jud included regarding learning video. Not a bad idea, really.

Below you will find portions of our email exchange after my initial introduction:

JM: “I think you will like the NPPA. I’ve been a member since 1988 when I started college.

Yes, I would be happy to offer feedback to you on your work and tips on how to become a more marketable photographer.

Your images look very nice. There are a lot of them and a lot of them are very redundant. From what I can see in your work you shoot mainly street scenes and a lot of portraits. It looks like you don’t spend much time with your subjects, a quick click and you’re gone. It looks as if you are a tourist visiting a country and doing a very nice job photographing the population living day to day. One thing I would suggest is to spend some time with one interesting person and document their life. You need to focus and learn and document somebody’s life. Keep it simple and clean, that is where you are going to find the moments.

Some of your images lack emotion and feeling, even most of your protest images are flat in terms of emotion. I’ve seen all these images before, I want to learn and feel something about your subjects. I want to see an image that makes me stop and say ‘wow, look at that’. It is very hard to do, and the photographers who can do it are stars. I want to be honest with you, your stuff is good, but you need to grow as a photographer and a visual reporter. For being a ’self-taught amateur’ you are kicking butt.

Well, it is a tough time to break into journalism even as a freelancer, the economy and the internet are dragging print journalism to a new low and might kill it. I’m expecting layoff news shortly from USA TODAY. There are going to be some crazy tough times ahead.

If I were you I would keep my day job and continue to grow as a shooter. You don’t need to go overseas to get good images. Good images can be taken are in your backyard. There are interesting people and things in D.C. This economy is giving you a bunch of interesting people trying to make a living. Just keep that in mind, domestic is just as good as international images in my opinion.

Any specific questions that you would like answered?”

More »

Tags: , ,

Interview with a Photojournalist, Part 1

November 22nd, 2008 | 7 Comments | Posted in Of General Interest

Your friendly neighborhood photographer...Within the last few weeks, I have been really putting a lot of effort into learning as much about photojournalism as I possibly can. So a few days ago, I joined the National Press Photographers Association. There are a wide variety of member benefits but the one that I was most interested in was their mentor program. The NPPA maintains a database of photojournalists who have been in the business for at least 10 years and who are willing to help new photographers.

I reached out to a few of them with some basic questions about photojournalism… Here is an excerpt from the first exchange I had with Joshua Hudson. Mr. Hudson has approximately 20 years’ experience in photojournalism, much of it doing military and combat photography. Some of our exchange can be found below. The correspondence took place via email so I will try to piece together questions and responses in a way that will make the most sense to a reader…

SD: Let’s assume for the sake of the question that I build up a respectable portfolio of photos and/or photo stories between my travels to the Occupied Territories or even from local projects. Is it best to try and get agency representation? Or would it be better to pitch media outlets directly? What kind of preparations and contacts would you suggest I make prior to traveling to the Occupied Territories? Is it worthwhile to approach organizations and agencies prior to traveling to get a sense of what they might be looking for?

JH: You need to evaluate what you want to do. If you want to work for a company, then you do not need representation. If you want to work as a freelancer, then an agent may be useful (but not necessary). The advantage of representation is that (in exchange for a fee) they will find you work. I do not advocate independent freelancing for new photographers. I am pretty old school that you learn the business– the best photographers are the ones that do not try to take shortcuts. So I would try and get a job with a paper first and build my resume while getting a direct mentorship. However, this means researching newspapers and news organizations to find good mentors.

However, if you are convinced you want to freelance it now– then yes, I would send out query letters asking for they are looking for. If you are working on spec, they will be more than willing to talk to you– no money out of their pocket.

More »

Tags: , ,
  • Connect with Me!

    sduffy on Flickr Shawn Duffy on Facebook shawnduffy on Twitter sduffyphotography on Technorati sduffy on FriendFeed sduffy on del.icio.us sduffy on StumbleUpon
  • Buy my photos!

  • Our Sponsors



    Where everyone learns Photoshop - National Association of Photoshop Professionals